top of page

Finding Love on the London Underground

Mar 2
4 min read

Before I met my fiancé, I used to romanticize London in the most embarrassing way imaginable. Not the polished, movie version with empty Tube carriages and impossibly clean pavements, but the real London. Rain soaked coats. Half finished coffees. Strangers packed together shoulder to shoulder pretending not to notice one another. I loved the idea that somewhere in all that noise and rushing and beautiful chaos, love might be quietly waiting around the corner.


Not through an app. Not through careful planning. Just… accidentally.

Maybe in the queue for coffee. Maybe reaching for the same book in a tiny bookshop. Maybe on the Tube, between exhausted commuters avoiding eye contact like it’s a legally binding requirement.


So when I picked up The Note by Zoë Folbigg, it felt less like reading a romance novel and more like stepping directly into one of those old daydreams I used to carry around with me.


The story begins in the middle of a painfully familiar London rush hour. The kind where the train is packed tight, everyone looks vaguely miserable, and absolutely nobody speaks unless it’s to apologize for stepping on someone’s foot. And in the middle of all that ordinary commuter gloom is Maya Flowers, who notices the same man on her train every single day.

He’s quiet. Thoughtful. Always reading.


Naturally, she develops a crush on him without ever speaking a word to him because honestly, that is the most London thing imaginable.

But instead of letting him remain another anonymous stranger drifting through her mornings, Maya does something terrifyingly brave: she writes him a note.


A real note.

On actual paper.

To hand to a stranger.

On the Tube.

Frankly, that level of courage deserves national recognition.


The entire scene made me cringe and swoon at the same time because Folbigg captures the awkwardness of it so perfectly. You can practically feel Maya’s pulse racing as she debates whether to go through with it. That tiny, fragile moment of reaching out toward someone and hoping they won’t laugh, reject you, or disappear forever into the crowd.


And when he actually takes the note? Oh, my heart.


What follows is this wonderfully tender unfolding romance built through messages, missed moments, uncertainty, and the strange intimacy that grows between two people who were once complete strangers. Maya and “Train Man” slowly begin weaving themselves into each other’s lives, and it never feels overly dramatic or unrealistic. That’s what I loved most about this story. The romance feels soft and believable, built from small moments instead of grand gestures.


But beneath the romance, there’s also this quieter story about loneliness, routine, and how easy it is to drift through life half asleep. Maya isn’t some impossibly confident romcom heroine. She’s stuck in the kind of emotional limbo so many people quietly experience in adulthood. She’s questioning herself, wondering if life is supposed to feel bigger than this, hoping for connection while also being terrified of rejection. That’s what makes her so lovable. Her bravery doesn’t come naturally to her. She chooses it anyway.


And Train Man, whose identity slowly unfolds throughout the story, isn’t simply written as some fantasy perfect man either. He has his own hesitations, his own emotional baggage, his own reasons for keeping parts of himself guarded. Their relationship develops with this lovely sense of uncertainty because both of them are figuring things out in real time. There are misunderstandings, timing issues, moments where things almost fall apart entirely, and that emotional push and pull keeps the story feeling grounded even while it leans into its dreamy premise.


I also loved how deeply rooted the story feels in London itself. The city becomes part of the romance. The crowded trains, rainy streets, rushed mornings, tiny moments of connection hidden inside endless movement. Folbigg captures that strange contradiction London carries so well: how millions of people can exist side by side while still feeling lonely. And because of that, every small interaction between Maya and Train Man feels significant. Almost magical.


The ending left me with that warm, achey feeling only the best romances manage to create. Without spoiling every detail, the story ultimately becomes exactly what Maya hoped for from the very beginning: proof that sometimes life changes entirely because of one tiny moment of bravery. One decision to look up instead of down. One note passed between strangers on a crowded train.


And honestly, knowing the story was inspired by Zoë Folbigg’s real life somehow makes it even more magical. She truly did write a note to a man she saw on her commute. And she ended up marrying him. Which feels less like real life and more like the universe briefly deciding to write fanfiction.


Reading this before meeting my fiancé hit me in such a specific way because I was still very much in my “maybe love only happens to other people” era. I’d sit on the Central line watching strangers drift in and out of stations, secretly wondering how many almost stories existed around me every day. How many people passed each other without realizing they could’ve meant something to one another.

Now, reading it back after finding my own person, it feels even softer somehow. My fiancé wasn’t a mysterious Tube man with a novel tucked under his arm, but we still have that same feeling of improbability. That strange little miracle of two lives crossing at exactly the right moment.


And that’s what The Note captures so beautifully: the idea that love often arrives quietly. Not with fireworks or sweeping cinematic music, but in ordinary places. Between train stops. Beneath rainy skies. Hidden inside small acts of courage.


It’s whimsical, hopeful, comforting, and full of the kind of romance that makes you start looking up from your phone on public transport just in case the universe has plans for you too.


Rating: 4/5


A tender, dreamy romance filled with warmth, vulnerability, and just enough realism to keep it grounded. It occasionally leans a little too neatly into coincidence, but honestly? That’s part of its charm. This book feels like a love letter to brave little moments and the beautiful possibility hiding inside everyday life.

 
 
 

Comments


bottom of page